Category: SONGS FOR FILM & TV

Many of today’s hottest TV series, films, and commercials feature songs by unknown artists and songwriters. Learn how to write and pitch to this fast-growing market.

Using Loops or Beats in Your Music Tracks

Q & A

I got this question from a very good songwriter in one of my songwriting courses. He was wondering about using loops or beats that are longer than one or two bars. These might consist of an acoustic rhythm guitar playing a 4-bar chord progression or a keyboard, or even a whole band that can be looped to form a song section.

You’ll find these kinds of loops in “construction kits” from Big Fish Audio or websites like Splice. They can be a great way to launch yourself into a song or even a new genre.

My student was asking if it’s okay to pitch song demos using these loops. Will there be a problem with music publishers and Film & TV music libraries? Is it legal? Will he need to tell them what he’s doing?  I’m not a lawyer and I can’t give legal advice (disclaimer, disclaimer) but I do have some thoughts for you if you’re doing this or considering it.

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Universal Lyrics for Film & TV

Songs are used in movies, television series, and commercials to enhance the emotion and memorability of the onscreen action. Instrumental underscore has long been a staple of film and TV, adding drama and emotion to a scene. But when lyrics are added—when a song is used instead of an instrumental—there are extra benefits and a few potential problems.

For example, lyrics that are too specific or feature their own story lines can conflict with the script.  If a song lyric includes a place name, like”I Love Paris,” the viewer could become confused if the scene takes place in New York.

Film and TV music supervisors look for songs with “universal lyrics,” lyrics that won’t conflict with a scene but will enhance the mood or energy.  If you’re planning to pitch your songs to this market, you’ll have a better chance of success if you keep this in mind.

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Break Through to Songwriting Success

frustrated-songwriter

Seems I’ve heard from a lot of songwriters and composers lately who are feeling frustrated.  Their careers haven’t gotten off the ground or they’re stalled at a level that isn’t really satisfying.

Over and over, I hear things like…

  • I’m not getting the kind of response from the music industry I deserve.
  • I spend hours on my music but I’m not making any money.
  • They keep telling me my music is dated.
  • I’m doing the best I can. I guess I just don’t have enough talent.

I know how awful it feels to be in that place. But there’s really a very straightforward process for getting beyond these problems and finding success in the music industry. Know what the industry needs and give it to them! It takes focus and determination. But If you’re willing to do that then you can get where you want to go.

So let’s cut to the chase…

Everything you need to know to be a successful songwriter is right in front of you.

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Raw Sound for a Slick TV Commercial

Here’s a luxury perfume commercial (Dior) that features a Rock song with a raw Indie vibe. The song is “Heavy Cross” by  three-piece Rock band Gossip.

No big synthesizer string pads here, no horns, no orchestra banging in and out. It’s just raw, good-ol’ Rock energy. Electric guitars create big dynamic contrast between sections and drive the beat. The drums back up the guitar in a tight arrangement that adds plenty of punch. That’s all!

Watch the commercial on YouTube.

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Basic Broadcast Quality for Film & TV

If you’re pitching your songs to the fast growing film and TV song market – or thinking about it, which you should be! – there is one challenge that seems to overwhelm a lot of songwriters: Broadcast Quality recordings. It may seem like big a deal but it really isn’t. Read on!

For the film & TV song market, your song (or instrumental track) will be used “as is.” Production schedules don’t allow for time to remix or request changes from you. While they will edit the track to fit a scene, that involves only cutting or repeating sections of the song. So, in terms of recording quality, your track needs to be competitive with other tracks that are being used in this market

Also, to really be successful as a film & TV songwriter, you want to create a constant stream of new material. Does that mean you have to hire a pro studio and session musicians, then spend more $$$ and hours mixing every song you want to pitch? It does if every song has to sound like that fully-produced Electro/Dance/Pop track on the radio! Luckily, you don’t have to do that!

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