Category: WHAT’S ON THE SITE

Break Through to Songwriting Success

frustrated-songwriter

Seems I’ve heard from a lot of songwriters and composers lately who are feeling frustrated.  Their careers haven’t gotten off the ground or they’re stalled at a level that isn’t really satisfying.

Over and over, I hear things like…

  • I’m not getting the kind of response from the music industry I deserve.
  • I spend hours on my music but I’m not making any money.
  • They keep telling me my music is dated.
  • I’m doing the best I can. I guess I just don’t have enough talent.

I know how awful it feels to be in that place. But there’s really a very straightforward process for getting beyond these problems and finding success in the music industry. Know what the industry needs and give it to them! It takes focus and determination. But If you’re willing to do that then you can get where you want to go.

So let’s cut to the chase…

Everything you need to know to be a successful songwriter is right in front of you.

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A Message to a Distant Shore

I was just watching a news story about a girl whose father was Chief Steward on Malaysian Flight 370, the plane that has disappeared over the Indian Ocean. Not knowing whether her father is alive or dead, not know how to reach him but needing to connect, needing to believe he can hear her, she turned to Twitter.

She lets her father know he’s missing his favorite football game, the one they always watch together. She tweets raw feelings: “Daddy, come home. I miss you.”  She sends the tweets out into the vague, everywhere-ness of the Internet. Isn’t it just possible that somewhere, she thinks, somehow, in this vast, airy endless space, he might hear her?

We often make fun of Twitter as 144 characters of trivia. But a few words in the hands of strong emotion can be so much more. 

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When Do YOU Write Songs?

I’m always curious about how other songwriters approach their craft. Maybe they’ve got some clever tricks I could use. Or maybe I’d just like to be reassured that we all do things basically the same way, that I’m not out on some weird, lonely trail all by myself.

So a while ago, I started asking other songwriters the question: “When do you write songs?” I got a wide range of answers—some expected, some not.

The “happy accident” approach

The largest number of songwriters said something like “I write when I feel inspired.” No surprise there. When an idea hits you that’s obviously a good time to write.

When a lyric or melody line suddenly comes to you, get it down right away. If you’re not near your keyboard or guitar, record a vocal version of your idea on your smartphone. Rough out a verse and chorus, filling in the lines you don’t have yet with nonsense syllables.

If there’s a tempo or groove that comes with it, clap or count it out on your recording. The more you can grab at the moment of inspiration the better off you’ll be.

The “Do it when I can…” style

Many songwriters said they try to write at least one day per week. Pro songwriters write more often than that, usually every day. Even if you don’t have gobs of time to spend on your songs, you can do something related to your songwriting every couple of days. Here are some ideas…

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The Eight Note Dilemma

A songwriter recently asked me: Is it copyright infringement if I use eight notes of a hit song melody?

ANSWER: When you think about it, there are only 12 notes in an octave. And only a few of those sound good in a melody. So, really, any eight notes are going to be in plenty of songs. The trick is to make sure your eight notes don’t remind listeners of a song that isn’t yours.  If they do, that’s called “substantial similarity.”

Substantial similarity is one of the tests for copyright infringement. If your eight notes are in the same order and have the same melodic rhythm as a hit song then there’s likely to be too much similarity. And that’s not good.

The truth is there’s NO hard and fast rule that determines how many notes of someone else’s melody you can use in a song of your own. It may only take two or three notes if they feature a very recognizable interval jump or rhythm. But here are some ideas that can help you out. 

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Robin’s Interview in Beat Magazine

Q: What makes a great song great?
A: For me, a great song is one that moves listeners emotionally. One that makes them understand something more deeply or see something in a new way. In some ways, a great song actually changes the listener.

Q: What’s your personal ingredient list for what you consider a good song?
A: A good song is one that expresses what the songwriter feels. If, every time you play your song, you say, “Yes, that’s what I felt. That’s what I wanted to say.” Then it’s a good song. A great song is one that communicates your message to listeners and makes them feel what you felt when you wrote it. 

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