Writing Rap and Hip-Hop Songs

I’ve been asked by a few songwriters for advice on how to create good Hip-Hop and Rap songs. Because this is a little outside of my usual style, I asked a couple of successful Rap producers and label owners to help me out.

HIP-HOP SONG FORM

Hip-Hop relies on a 16-bar verse form followed by a chorus/hook section. Often there are three verse sections with each one followed by a chorus or hook section. Sometimes the third verse is replaced with a bridge, a section with different chords or a change up  in the rap style or content. The hook/chorus provides an anchor for the listener while the verses tell the story, paint a picture, or express the personality of the rapper.

I’ve noticed that some very successful rap songs open with the hook – the catchiest part of the song –  to grab the listener’s attention right at the start.   Use these repeated hook sections to make a statement that sums up the heart of your song. These are the lines your listeners will remember so make them emotional, honest, and unique.

Crossover Urban hits like Keyshia Cole and Missy Elliott’s “Let It Go” or Kanye West and T-Pains’s “Good Life” have big melodic choruses that break up the rap verses. You can use these songs to help you frame a solid song structure in this style. Just make your rap is the same length as theirs and drop your hook where they do.

Producers’ advice: Whether you sing or rap your chorus hook, use plenty of contrast. Try jumping to a high note to start a melodic hook and smoothing or stretching out the delivery. For a rap hook, change up the pace or rhythm pattern – slow it down or shorten/lengthen your phrases. Start on an unexpected beat or emphasize an unusual beat. Your goal is to change up the rhythm of the words or melody enough to catch the listener’s attention.

365 Sparks: The Songs of Daveit Ferris

Daveit Ferris

Songwriter Daveit Ferris has taken on the challenge of writing, performing, and recording a song a day for a year. He calls his project 365 Sparks. While he’s not the only brave or crazy artist to undertake the Everest of songwriting, he’s the best and most consistently good I’ve ever come across. Every song I’ve heard has its own quirky, emotional, fun, dark, sweet, thoughtful, or just-plain-catchy appeal.

I’ve had to write fast in my life – I once had a  three-year gig that required me to write three to four songs a week for a TV series. But I got paid for it and I didn’t have to perform it and record it myself, so I feel like a loafer compared to this guy.  In any case, I can’t help asking: How does anyone do this? WHY does anyone do this? And what happens after the first 100 or so days?

Instead of just wondering, I decided to ask. And he answered. How he found the time to answer, I don’t know. He’s got songs to write. You can hear a lot of his songs on Spotify and on his website.

What did you set out to do with your 365 Sparks project?

Daveit Ferris: My goal with 365 Sparks was to try and do something extraordinary that would truly test my skills as a songwriter, musician and producer; in that order. The project itself was inspired by a near-death experience that I went through in October 2013 that made me realise I could have left this earth with hard drives full of hundreds of half-finished projects (songs, poetry books, albums, novel ideas, scripts etc.). I decided on that hospital bed that my next project was going to be A) grand and B) completed.

Break Through to Songwriting Success

frustrated-songwriter

Seems I’ve heard from a lot of songwriters and composers lately who are feeling frustrated.  Their careers haven’t gotten off the ground or they’re stalled at a level that isn’t really satisfying.

Over and over, I hear things like…

  • I’m not getting the kind of response from the music industry I deserve.
  • I spend hours on my music but I’m not making any money.
  • They keep telling me my music is dated.
  • I’m doing the best I can. I guess I just don’t have enough talent.

I know how awful it feels to be in that place. But there’s really a very straightforward process for getting beyond these problems and finding success in the music industry. Know what the industry needs and give it to them! It takes focus and determination. But If you’re willing to do that then you can get where you want to go.

So let’s cut to the chase…

Everything you need to know to be a successful songwriter is right in front of you.

When Do YOU Write Songs?

I’m always curious about how other songwriters approach their craft. Maybe they’ve got some clever tricks I could use. Or maybe I’d just like to be reassured that we all do things basically the same way, that I’m not out on some weird, lonely trail all by myself.

So a while ago, I started asking other songwriters the question: “When do you write songs?” I got a wide range of answers—some expected, some not.

The “happy accident” approach

The largest number of songwriters said something like “I write when I feel inspired.” No surprise there. When an idea hits you that’s obviously a good time to write.

When a lyric or melody line suddenly comes to you, get it down right away. If you’re not near your keyboard or guitar, record a vocal version of your idea on your smartphone. Rough out a verse and chorus, filling in the lines you don’t have yet with nonsense syllables.

If there’s a tempo or groove that comes with it, clap or count it out on your recording. The more you can grab at the moment of inspiration the better off you’ll be.

The “Do it when I can…” style

Many songwriters said they try to write at least one day per week. Pro songwriters write more often than that, usually every day. Even if you don’t have gobs of time to spend on your songs, you can do something related to your songwriting every couple of days. Here are some ideas…

Robin’s Interview in Beat Magazine

Q: What makes a great song great?
A: For me, a great song is one that moves listeners emotionally. One that makes them understand something more deeply or see something in a new way. In some ways, a great song actually changes the listener.

Q: What’s your personal ingredient list for what you consider a good song?
A: A good song is one that expresses what the songwriter feels. If, every time you play your song, you say, “Yes, that’s what I felt. That’s what I wanted to say.” Then it’s a good song. A great song is one that communicates your message to listeners and makes them feel what you felt when you wrote it.