8 Ways to Add Character to Your Songs

Have you ever started reading a novel or watching a movie and instantly found the characters so intriguing that you couldn’t stop? While we wouldn’t dream of reading a novel that didn’t have interesting characters in it, we don’t often think about the characters in our songs. Yet a character is often the first thing that a listener reacts to. Do they like your characters? Identify with a character? If so, they’ll stick around and listen to your song, maybe more than once.

So let’s take a deeper look at how you can create characters that capture the listener’s interest.

Set Your Songwriting Goals

Set Goals!

Setting goals can shift your songwriting into high gear and help you achieve your dreams. But it’s important to choose your goals carefully.

Pick goals that are achievable. Make sure they’re something you have control over.  Avoid vague goals like “I’m going to write a hit song.” Instead, make them specific, break them down into small steps and create a timeline.

Don’t try to do too much – that’s a set up for failure. Instead, pick three or four things you really want to accomplish. Write them down then keep that list where you can see it.

Here are four goals that can get you started. 

Write a Song in the Folk Song Form

I recently got this question from a songwriter who’s just starting out.

Q: Is it okay if my song is a string of verses, with no chorus or bridge? It’s short, too. Can it still be a good song?

A: If a song is a series of verses, it’s in a form that’s been successful for hundreds of years—the folk song form. You can certainly write good songs in that style. These songs often feature a storyline, such as a lost lover, a historical event, or travel to a distant land, but they don’t have to. Good examples of the folk song form are “Scarborough Fair,” “I Am a Man of Constant Sorrow,” and recently Passenger’s “Let Her Go.” 

Great Song Lyrics: Using Clichés

Have you ever noticed how some people can describe a simple, everyday event and make it sound hilarious or tragic or just plain interesting, while another person can tell the same story and have you snoring with boredom in an instant?

If the language you use to tell a story is vivid and fresh even a familiar experience or idea can come to life, but if you’re talking in overused, predictable phrases—in other words, if you’re using clichĂ©s—the most exciting story can become dull. It’s all in the words you choose.

People often speak in clichés

Time flies!


ClichĂ©s are familiar phrases that have become an acceptable shorthand way of expressing an idea: “Time flies!” “Love is blind.” “He’s full of hot air.” “You can count on me.” On the plus side, everyone understands what you mean. But these phrases are so familiar and overused they’ve lost their emotional impact. The result is bland, forgettable language. For example, here’s a description of a workday that’s filled with clichĂ©s.

  • I got up on the wrong side of the bed this morning. My cup of coffee tasted like mud. On the bus, people were packed like sardines. My boss was hopping mad when I got to work late. The day seemed to drag on and on. I thought six o’clock would never come!

While this paragraph gives you an idea of what the speaker’s day was like, it doesn’t make you feel the boredom and frustration. Familiar phrases such as “packed like sardines,” “hopping mad” and “seemed to drag on and on” have been used so many times listeners no longer picture the images, experience the sensation, or notice the comparison; they don’t feel the crush of bodies on the bus or picture the boss hopping up and down in anger. In fact, listeners barely even hear clichĂ©s at all. They’re wasted space in your song unless you do something to change that.

Give your clichĂ©s new life. 

1. Use a fresh or unexpected comparison

Comparisons are a great way to add energy to a description. There was a time when “packed like sardines” was vivid, fresh, and funny. Listeners really pictured it when they heard it and it made them react. Eventually, so many people liked it and used it that the idea became stale and listeners stopped reacting.