Category: Q & A

Do Your Songs All Sound the Same?

by Robin Frederick

Q & A

Q: I have one big problem and I’m wondering if you can help.  I have written over 160 songs. My words, melody, and my voice all seem to sound the same.  What am I doing wrong?

A: If you have a “signature sound”—your songs have a recognizable style and sound—there’s nothing necessarily wrong with that. To my ears, many of Jackson Browne’s songs sound very similar in terms of music and vocals, and he’s certainly successful. He relies on powerful lyrics to tell unique stories filled with emotion and character. Vocals and music are secondary, while the lyrics hold the listener’s attention.

So, the real question is, do listeners respond to your songs and your sound the way you want them to? If you feel you’re not reaching them, then it’s a matter of upping your skills in one or more areas to make your songs more original. 

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How Is a Lyric Like a Movie Script?

Desmond Child, producer and hit songwriter

Desmond Child, hit songwriter and music producer, put it this way: “The lyric is the script, and you can’t shoot a movie without a script. The score is actually the last part that comes into a movie, in the same way that the music on a record should help bring out the meaning of the lyrics.”

I love Desmond Child’s comparison of a lyric to a movie script. While music truly does have the power to move us emotionally, it’s the lyric that draws us into the song, paints a picture in the mind, makes us identify with the singer or with the people in a situation.

Not the same old story

Like a good movie script, a song has a beginning, a middle, and an end. And a lyric, like a movie script, tells more than just the facts of a story—I met you on Monday, we fell in love on Tuesday; broke up on Wednesday, etc. This doesn’t really work well for today’s listeners – and it’s not enough for movie-goers either.

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Which Genre Is the Right One?

Q & A

I got a question recently from a songwriter who is torn between two very different song genres —Pop and Contemporary Folk. He loves both and sees the strengths in both. But because he can’t decide which to focus on, he’s having trouble getting started and working on a song. Which style is it going to be?

Which genre am I writing in?

The whole question of choosing a song genre can be frustrating, especially if you’re drawn to a couple of the big ones – like Pop and Folk. Every style—from Pop, Country, and Rock to R&B, Folk, and Blues—has a different approach to melody, lyrics, and production. Veering between two styles within a single song can be a disaster. And working on a Pop song while wondering if maybe it should be a Folk song can distract you from the things you should be focusing on.

Targeting a song genre helps you build an audience and gives you an edge when it comes time to market your song to the music industry. It’s an important issue and one that every serious songwriter has to confront sooner or later. So, what do you do? How do you choose? Here are some ideas that might help.

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Using Loops or Beats in Your Music Tracks

Q & A

I got this question from a very good songwriter in one of my songwriting courses. He was wondering about using loops or beats that are longer than one or two bars. These might consist of an acoustic rhythm guitar playing a 4-bar chord progression or a keyboard, or even a whole band that can be looped to form a song section.

You’ll find these kinds of loops in “construction kits” from Big Fish Audio or websites like Splice. They can be a great way to launch yourself into a song or even a new genre.

My student was asking if it’s okay to pitch song demos using these loops. Will there be a problem with music publishers and Film & TV music libraries? Is it legal? Will he need to tell them what he’s doing?  I’m not a lawyer and I can’t give legal advice (disclaimer, disclaimer) but I do have some thoughts for you if you’re doing this or considering it.

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Faster & Better: Pick Up Your Songwriting Speed

We all want to be more creative, have more songs in the catalog, and feel satisfied that we’re getting things accomplished. It’s just that reality doesn’t always work out that way. More often than not…

  • We don’t have any good ideas for new songs.
  • We’re not sure what kinds of songs we should be writing and for what market.
  • We get stuck working on one song that’s in trouble.
  • We’re scared our songs aren’t good enough so we don’t finish them.

We all know that good quality has to be maintained, but I bet you could write more songs and keep the quality at the level you want or even improve it. Here are a whole bunch of ideas for writing FASTER and BETTER.

STUDY SUCCESSFUL SONGS

The quickest way to get started.


This is the quickest way to solve a lot of the problems I just listed. Spend at least one to two hours per week listening to the top songs in your genre on your favorite stream-on-demand site (Spotify, Apple Music, YouTube Music, etc.). If you’re interested in writing songs for film and TV check out TuneFind.com. Of course, you won’t like everything you hear. You may have to dig a while before you uncover a song you want to learn from. But it’s worth it and it’s an essential part of the job of songwriting.

Too often we think of our songwriting career as only the act of songwriting, but there’s so much more. Laying the groundwork for new songs, learning how others creatively use song craft, getting inspired, feeling like you could beat those songs – all of these are ways you can up your game. Get your ears used to hearing what’s successful out there and your songwriting will improve.

TIP: Here’s an article on my website with a list of resources where you can find successful artists and bands in a range of styles to listen to.

Embed current songs to give yourself an instant feel for the style. When you find a song you like, get a copy of the lyrics. (you can find them online or take them down by ear.) Practice singing along with the track until it’s comfortable for you. This may not be as easy as it sounds. Many current singer-songwriter songs have complex melodies and phrasing. Just learn it one section at a time. If the song isn’t in your vocal range, talk-sing along with it until you get a feel for the rhythm of the melody. These days, the rhythm of the notes is as important as note pitches. 

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