Category: MUSIC BUSINESS

Whether you want to get your songs covered by other artists, sing them yourself, or get placements in film & TV, make sure your songs fit the needs of today’s music industry.

The Eight Note Dilemma

A songwriter recently asked me: Is it copyright infringement if I use eight notes of a hit song melody?

ANSWER: When you think about it, there are only 12 notes in an octave. And only a few of those sound good in a melody. So, really, any eight notes are going to be in plenty of songs. The trick is to make sure your eight notes don’t remind listeners of a song that isn’t yours.  If they do, that’s called “substantial similarity.”

Substantial similarity is one of the tests for copyright infringement. If your eight notes are in the same order and have the same melodic rhythm as a hit song then there’s likely to be too much similarity. And that’s not good.

The truth is there’s NO hard and fast rule that determines how many notes of someone else’s melody you can use in a song of your own. It may only take two or three notes if they feature a very recognizable interval jump or rhythm. But here are some ideas that can help you out. 

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Songwriting Trends in TV Commercials

Lately I’ve noticed a whole lot of TV commercials using a similar sound. It’s generally acoustic and organic with a singer-songwriter feel. Some of the selections are taken from songs by known artists like Katie Herzig, others from unknown artists like The Hunts, and still others seem to have been created for the ad. Click on the YouTube videos below to listen to three of the dozen or so I’ve found.

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Write Songs for TV Commercials

What was that song on the Delta Faucet commercial, the cute one that goes “So many things your hands can do”? It sounds like a children’s song, something maybe you might write for kids. Well, it is a children’s song. It’s from a Sesame Street record featuring The Count, the vampire Muppet who simply adores numbers. Could you write a song like that? You probably could and possibly you already have.

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Put Yourself in a Music Supervisor’s Shoes

Want to sharpen your pitching skills to Film & TV opportunities and get more forwards? Here’s the best exercise I’ve ever found for strengthening your Film & TV songwriting and pitches: Do what a music supervisor does.  Find songs that underscore the emotion, energy, or atmosphere in a scene and test them against the picture!

At the end of this post, I’ll give you some resources for contacting music supervisors and pitching your songs. But before you do that, make sure you have what they’re looking for. Don’t burn a contact because you didn’t do your research.  If you’ll spend a couple of afternoons following these instructions, I promise your pitches will be closer to the mark and your film and TV songwriting will be stronger.

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Q&A: Should I Copyright My Songs?

Here are three copyright questions I get asked all the time…

Q: Should all my songs be copyrighted?

Before you start pitching your song to publishers, film & TV music supervisors or music libraries, before you enter it in a contest, or otherwise spread it around the industry, I definitely recommend copyrighting your songs or lyrics. In the United States, you’ll do that  through the Library of Congress. Their online e-filing system makes it easy.

If you live outside the U.S. be sure to research the copyright laws in your country. That said, there are many countries that share copyright agreements with the U.S. that allow you to protect your song through the U.S. copyright office. Find out more about registering foreign works in the U.S.

You’ll also find a printable form, FAQ, and helpful instructions at the Copyright Office website. There’s a fee for each form you file – whether it’s online or via mail –  BUT you can register groups of lyrics or songs on a single form. Do that!

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