Category: LYRICS & MUSIC

Quick, easy-to-use songwriting tips that will help you express emotion, add a contemporary feel, and connect with listeners.

When Do YOU Write Songs?

I’m always curious about how other songwriters approach their craft. Maybe they’ve got some clever tricks I could use. Or maybe I’d just like to be reassured that we all do things basically the same way, that I’m not out on some weird, lonely trail all by myself.

So a while ago, I started asking other songwriters the question: “When do you write songs?” I got a wide range of answers—some expected, some not.

The “happy accident” approach

The largest number of songwriters said something like “I write when I feel inspired.” No surprise there. When an idea hits you that’s obviously a good time to write.

When a lyric or melody line suddenly comes to you, get it down right away. If you’re not near your keyboard or guitar, record a vocal version of your idea on your smartphone. Rough out a verse and chorus, filling in the lines you don’t have yet with nonsense syllables.

If there’s a tempo or groove that comes with it, clap or count it out on your recording. The more you can grab at the moment of inspiration the better off you’ll be.

The “Do it when I can…” style

Many songwriters said they try to write at least one day per week. Pro songwriters write more often than that, usually every day. Even if you don’t have gobs of time to spend on your songs, you can do something related to your songwriting every couple of days. Here are some ideas…

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The Eight Note Dilemma

A songwriter recently asked me: Is it copyright infringement if I use eight notes of a hit song melody?

ANSWER: When you think about it, there are only 12 notes in an octave. And only a few of those sound good in a melody. So, really, any eight notes are going to be in plenty of songs. The trick is to make sure your eight notes don’t remind listeners of a song that isn’t yours.  If they do, that’s called “substantial similarity.”

Substantial similarity is one of the tests for copyright infringement. If your eight notes are in the same order and have the same melodic rhythm as a hit song then there’s likely to be too much similarity. And that’s not good.

The truth is there’s NO hard and fast rule that determines how many notes of someone else’s melody you can use in a song of your own. It may only take two or three notes if they feature a very recognizable interval jump or rhythm. But here are some ideas that can help you out. 

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Robin’s Interview in Beat Magazine

Q: What makes a great song great?
A: For me, a great song is one that moves listeners emotionally. One that makes them understand something more deeply or see something in a new way. In some ways, a great song actually changes the listener.

Q: What’s your personal ingredient list for what you consider a good song?
A: A good song is one that expresses what the songwriter feels. If, every time you play your song, you say, “Yes, that’s what I felt. That’s what I wanted to say.” Then it’s a good song. A great song is one that communicates your message to listeners and makes them feel what you felt when you wrote it. 

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Rewrite Your Song Melody and Make It a Monster

How to Rewrite a Song MelodyLet’s say you’ve just spent the afternoon writing a song and you feel you’ve got a good start on a first draft. The concept is strong, the structure feels right. Of course the lyric still needs work but you’re planning to go back and rewrite it.

But what about the melody? Will you go back and rewrite that, too? Or will you stick with the first idea that came to you?

Many times, a songwriter who wouldn’t dream of settling for a rough draft of a lyric, uses the first melody that comes along. Often these melodies are the result of old habits; they may sound dated and familiar. The writer might not even know that a melody can be rewritten, strengthened, and polished just like a lyric. To give your song the best chance for success, make sure your melody works hard to attract listeners and put your emotional message across!

=> Melody makes your song structure easy to follow
Listeners don’t like songs that seem to wander aimlessly. They like to know where they are and they like the feeling of structure that a good melody provides. To do that, create plenty of contrast between sections – verse, chorus, and bridge. Then the listener will know when they’re moving from one section to the next. Successful songs use some combination of these three techniques for adding contrast to a melody:

A Three-Stage Rocket to Lyric Writing

When NASA blasts a rocket into orbit, they do it in stages: The big lift-off, a second stage to get the payload into orbit and a third to fine tune the direction. So, what’s this got to do with writing lyrics? You can think of the lyric writing process in three stages:

  •  1. Getting started. (Lift off)
  •  2. Developing your idea. (Getting into orbit)
  •  3. Rewriting (Fine tune it)

=> STAGE ONE: GET STARTED

BEGIN WITH A TITLE

Starting the lyric writing process with a title can give you a beacon that will keep your song lyric focused. That’s very important if you want to keep listeners involved. Any short phrase you find emotionally intriguing—or simply an honest statement of how you feel—can work as a title. Make it something you want to write about.

Then make a list of questions the phrase suggests. These are the questions you’re going to answer in your song. Try questions like: What does this mean? Why do I need to say it? How does it feel? How did it happen?  What do I think the consequences will be? Every phrase suggests different questions. And every songwriter will find different ones to ask. 

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