What Is Song Structure?

Most of today’s hit song structures are made up of of three different sections: Verse, Chorus, and Bridge.

CHORUS: The chorus has the same melody AND the same lyric each time we hear it. The lyrics sums up the emotional heart of the song. It’s the section that listeners will  remember and want to hear again and again. Be sure to include your title in your chorus so listeners know what to call your song. The title is often in the first or last line, sometimes both.

VERSE: The verses all have the same melody but different lyrics. A verse takes us deeper into the feelings or situation that created the feelings in the chorus. Because the chorus is repeated three or more times, you can keep it interesting by giving listeners more information in each verse – something that reveals more about the chorus and deepens our feelings or understanding of it.

Create a Song Path

by Robin Frederick
Does this ever happen to you? In a flash of inspiration, you write a monster first verse. Then you work for hours or days on a chorus until you have something you think might work. Then… nothing. You’re stuck; you have no idea what to write in your second verse or bridge! And now you notice there’s a disconnect between your first verse and the chorus you worked so hard on. Even these two sections aren’t working together.

This happens to every songwriter at one time or another. Sometimes it happens A LOT! So here’s a simple song craft technique that will keep your song on track and ideas flowing: Create a “song path.”

Bring Your Lyric Theme to Life

Every successful song has a theme; it’s the emotional message at the heart of the song. The majority of hit songs are built around love relationship themes: I love you. You don’t love me. Your love saved me. You cheated and I’m jealous. I don’t love you anymore. We’re soulmates. You take me for granted. I miss you.

These are a few of the themes that songwriters visit over and over again. For instance, many songs has been written on the theme, “I’m grateful that I have your love.” Because listeners have heard this theme so often, they tend to tune it out, especially if the lyric uses the same images and phrases they’ve heard before.  So, if you want to write about this idea, you’ll need to find a way to bring it to life, make it compelling, intriguing, fresh, and exciting.

Uncover the Melody in Your Lyric

Got an idea for a lyric but no melody? Do you have a poem you’d like to turn into a song? Try using the melody that’s already in your words. Here’s how…

Every time you open your mouth to speak, you start singing! Don’t believe me? Just try speaking without rhythm or pitch. You can’t do it. When we speak we use pitch, volume, pace, rhythm, and words – all the elements of a song. The only difference is in a song these elements are exaggerated. Of course, we also add some repetition and a couple other things but to get your raw melody going, speech is all you need.

The Melody of Speech

It’s the melody portion of speech that communicates emotion. In fact, just by changing the melody you can give the same words an entirely different emotional meaning. Try this: say the phrase “Oh, no?” as if you’re asking a question. Now, say the same phrase –“Oh no!”-as if you’re anxious and frightened. Notice the difference in the melody. Exaggerate the emotion in the second phrase and you’ll really hear it.

It’s the melody portion of speech that communicates emotion. In fact, just by changing the melody you can give the same words an entirely different emotional meaning. Try this: say the phrase “Oh, no?” as if you’re asking a question. Now, say the same phrase –“Oh no!”-as if you’re anxious and frightened. Notice the difference in the melody. Exaggerate the emotion in the second phrase and you’ll really hear it.

In the first phrase the “no” has a slight rising melody. In the second phrase, the “no” has a slight downward melody, words were higher pitched, the pace was faster, the volume louder. Now try saying “Oh no.” with a sarcastic, disbelieving, ‘you’ve got to be kidding’ tone. It’s an entirely different melody from the other two.

Verse and Chorus melodies

To achieve the conversational tone of many of today’s song verses, try speaking your verse lyric in a conversational way, then exaggerate it a little to begin creating your verse melody. Keep the pauses that occur naturally and exaggerate the little ups and downs in your speaking voice. You’ll want to make changes later but, for now, this will give you a good place to start. Remember, this is your raw material, not the finished melody.

Choruses often have more energy and urgency, conveying more of the song’s emotional heart. As we saw with the “Oh, no!” phrase, the more urgency and emotional energy there is, the more the melody of speech tends to rise. That’s why very emotional Pop and Rock choruses work well in a higher note range. Speak the chorus lyric with as much emotion as you can put into it. Now, exaggerate the pitches, keeping the rhythm of the words and any pauses that occur naturally. This will get you started on your chorus melody.

Record your raw melody ideas

Once the lyric has led you into some melody lines, record a quick vocal to preserve your original idea. Then sit down with your guitar or keyboard and starting roughing out the chords. For those of you who don’t play an instrument, try a music program like Band In a Box which will create a music track for you. You can change the chords until you get something you like. Rework the melody as you go along to give it a clearer shape (a good mix of repetition and variation) while preserving your original idea.

More songwriting melody tips:

Five Ways to Rewrite Your Song’s Melody.

Rewrite Your Song Melody and Make It a Monster

Whose Melody Is It?

Question: “After I write a song, how do I know I haven’t copied someone else’s melody? Sometimes I think I’ve heard it before but I’m not sure.”

Answer: That’s a good question! If the melody sounds familiar to you and it’s a nagging feeling that won’t go away, try playing it for friends to see if anyone recognizes it. That’s what Paul McCartney did with the melody of “Yesterday.” Since it came to him easily, he was suspicious that he might have been re-creating a melody he had heard before. He hadn’t written the lyric yet so he used the nonsense phrase “scrambled eggs” where he would later sing the word “yesterday.” No one recognized the melody, so he went ahead a wrote the final lyric.