Songs for the film and TV market need to enhance the emotion in a scene without drawing the viewer’s attention away from the story. Lyrics that are too specific or feature their own story lines can be a problem. So Music supervisors look for songs with what are called “universal lyrics.” But just what does that mean? Continue reading “Universal Lyrics for Film & TV”
When I asked successful music supervisors how they manage to find just the song they’re looking for among the thousands of song links, mp3s, and CDs they collect every year, they all told me they keep “playlists.”
If you use iTunes, you’re familiar with playlists. And, in fact, the iTunes playlists are the very ones that many music supervisors use. When you open the iTunes window, you’ll find “PLAYLISTS” in the left hand column. You can add playlists of your own and name them according to artist, genre, mood, or anything else you want. Here’s how they can be helpful if you’re writing songs for film & TV.
QUICK! FIND A QUIRKY, PLAYFUL LOVE SONG!
Let’s say you have an opportunity to pitch a song to an ad agency looking for “quirky, playful, upbeat songs about falling in love.” (TAXI has run many listings like this!) What does that kind of song sound like? Do you have a song that sounds like that? You could take a guess. You could spend hours searching for ideas. Or you could go to a playlist of “Love Songs” that you’ve created and search for those you’ve tagged as “quirky” “happy” and “upbeat.” Maybe you’ve even put one of your own songs onto the playlist. Continue reading “PLAYLISTS: A Film & TV Songwriter’s Secret Weapon!”