Writing Rap and Hip-Hop Songs

I’ve been asked by a few songwriters for advice on how to create good Hip-Hop and Rap songs. Because this is a little outside of my usual style, I asked a couple of successful Rap producers and label owners to help me out.

HIP-HOP SONG FORM

Hip-Hop relies on a 16-bar verse form followed by a chorus/hook section. Often there are three verse sections with each one followed by a chorus or hook section. Sometimes the third verse is replaced with a bridge, a section with different chords or a change up  in the rap style or content. The hook/chorus provides an anchor for the listener while the verses tell the story, paint a picture, or express the personality of the rapper.

I’ve noticed that some very successful rap songs open with the hook – the catchiest part of the song –  to grab the listener’s attention right at the start.   Use these repeated hook sections to make a statement that sums up the heart of your song. These are the lines your listeners will remember so make them emotional, honest, and unique.

Crossover Urban hits like Keyshia Cole and Missy Elliott’s “Let It Go” or Kanye West and T-Pains’s “Good Life” have big melodic choruses that break up the rap verses. You can use these songs to help you frame a solid song structure in this style. Just make your rap is the same length as theirs and drop your hook where they do.

Producers’ advice: Whether you sing or rap your chorus hook, use plenty of contrast. Try jumping to a high note to start a melodic hook and smoothing or stretching out the delivery. For a rap hook, change up the pace or rhythm pattern – slow it down or shorten/lengthen your phrases. Start on an unexpected beat or emphasize an unusual beat. Your goal is to change up the rhythm of the words or melody enough to catch the listener’s attention.

Robin’s Interview in Beat Magazine

Q: What makes a great song great?
A: For me, a great song is one that moves listeners emotionally. One that makes them understand something more deeply or see something in a new way. In some ways, a great song actually changes the listener.

Q: What’s your personal ingredient list for what you consider a good song?
A: A good song is one that expresses what the songwriter feels. If, every time you play your song, you say, “Yes, that’s what I felt. That’s what I wanted to say.” Then it’s a good song. A great song is one that communicates your message to listeners and makes them feel what you felt when you wrote it. 

VIDEO: Secrets of Hit Songwriting – “I Drive Your Truck” – Lee Brice

This Contemporary Country hit is an emotional powerhouse! Study this song for ideas on lyric imagery and an easy-to-use melody tip that will add a current , competitive edge to songs in all genres. I’ll walk you through this song step-by-step and show you how it’s all put together to create an unforgettable experience for the listener.

 

 

Song Ideas: Use TV Scenes

If you find yourself looking for new song ideas and inspiration, here’s a tip that works! Watch television. I know it might sound crazy but many TV scenes are built around common emotional situations the audience can relate to. That’s just what you want for your song.

CHOOSE A TV SHOW
Just about any drama series will provide you with plenty of good scenes. Look for emotional interaction between two characters. Watch the scene and note the dialogue – you might even write down a few lines to get your song started.

Comedy series are not as easy to use as drama but they will work. If you choose a sitcom, check out the last 5 to 10 minutes of the show when any conflicts or problems are wrapped up and there’s often a heartfelt moment between characters.

Soaps operas, yes, good old-fashioned afternoon soaps, are a good source if you can manage to watch. (There aren’t many left.) They’re slow moving and nothing much happens but that’s because everyone is busy emoting all over the place. There’s enough emotional confrontation, regret, tearful forgiveness, and joyful reunions  to fill a couple hundred songs!

Action series are fun to watch but chase scenes and shootouts won’t give you much to work with. Like comedy series, the emotion is usually in the last  few scenes.

Songwriting: Making Myths

I heard a great line a while ago. Sean Ono Lennon was being interviewed. He was asked the inevitable question that every songwriter is asked: Are your songs autobiographical? His answer has stayed with me as a reminder of what songs really are. He said… “Songs are myths about things that have happened to you.”

I can´t think of a better way to put it. We all write about our lives, our feelings, the things that happen to us. But the idea of myth-making is what´s important here.