Tag: how to

Do Your Songs All Sound the Same?

by Robin Frederick

Q & A

Q: I have one big problem and I’m wondering if you can help.  I have written over 160 songs. My words, melody, and my voice all seem to sound the same.  What am I doing wrong?

A: If you have a “signature sound”—your songs have a recognizable style and sound—there’s nothing necessarily wrong with that. To my ears, many of Jackson Browne’s songs sound very similar in terms of music and vocals, and he’s certainly successful. He relies on powerful lyrics to tell unique stories filled with emotion and character. Vocals and music are secondary, while the lyrics hold the listener’s attention.

So, the real question is, do listeners respond to your songs and your sound the way you want them to? If you feel you’re not reaching them, then it’s a matter of upping your skills in one or more areas to make your songs more original. 

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Write Your Song in a Genre

Most of the time when you start writing a song, you’re thinking about what you’re feeling and what you want to say. Good! That’s the best way to approach your songwriting. But it’s also a good idea to keep a little corner of your brain focused on the song genre you want to aim for. Knowing your song’s genre right from the start, will make it much easier to find an audience for it down the road, and possibly a music publisher or record label.

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No More Writer’s Block

At one point in my career, I had to write three to four songs a week for a television series. Writer’s block was simply not an option. If I failed to turn in my songs on time, the show came to a swift and expensive stop! Early on, I learned an important lesson: Writer’s block is not about a lack of creativity; it’s about identifying and solving a problem so you can get on with things.

Problem 1: TROUBLE GETTING STARTED

There are few things more intimidating than starting a song. Maybe all you have is an idea or a theme. Every time you think about getting to work on it, you feel overwhelmed. next thing you know, you’ve got writer’s block. Solution : Break down the initial process into a series of steps and do them one at a time.

1. Begin by finding a title you’re interested in.

Look for short phrases that resonate emotionally for you. You don’t have to make it up out of thin air. Watch TV shows and films, listen to people talking, take down phrases from news shows or the Internet. (Try the “Title Generator” in the links section at the end of this newsletter!) A short one-to-five-word phrase that grabs your attention should do it for you.

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Write a Memorable Song Title

The title of a song is almost always a featured line in the song itself, often the first line or last line of the chorus, making it the line that listeners remember long after the song is over. 

A good title is intriguing, evocative, and memorable. The best titles sum up the heart and soul of a song, recalling the whole experience for listeners, making them want to go back and listen again.

Keep it brief. 

A strong song title easy to remember and gets to the point, so consider keeping it short. Titles like “Everybody Talks,” “What Now?” “Roar,” and “Wrecking Ball” are all brief, intriguing, and easy to remember. Long titles can work if you use a familiar phrase like ”I Just Called to Say I Love You” or “I Don’t Want to Miss a Thing” which are easier to recall. To be safe, stick to five words or less. While it’s not a rule, it’s a good idea to keep in mind.

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Turn a Poem Into a Song Lyric

Poet

Today, poetry is often defined as putting the greatest amount of meaning into the fewest possible words. This holds true for song lyrics, too. So if you’re a poet, you’ve got a great start on songwriting. But there are some big differences, too.

The bards of old sang their poems, often based on historical tales. The melody helped both the bard and the audience remember long oral histories. But now we tend to write and read poetry on the page. Readers can go through a poem at their own pace, taking all the time they need to understand and react to each line.

But songs roll by at the music’s pace. Listeners need to understand enough on the fly to be drawn into the lyric and stay involved. To turn a poem into a lyric, you’ll need to take that into account.

1. Give listeners enough time to absorb an image or poetic device.

Try spreading out your images and metaphors over several lines rather than piling on several at once. Make each image or idea the focus of at least one line. If your lines are short, then spend two or more lines on it. Add more information to give listeners deeper insight into your idea and allow them to fully take it in before moving on. 

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