Have you ever noticed how some people can describe a simple, everyday event and make it sound hilarious or tragic or just plain interesting, while another person can tell the same story and have you snoring with boredom in an instant?
If the language you use to tell a story is vivid and fresh even a familiar experience or idea can come to life, but if you’re talking in overused, predictable phrases – in other words, if you’re using clichés – the most exciting story can become dull. It’s all in the words you choose.
People often speak in clichés.
A cliché is a phrase that’s been used so often it has become a universal way of expressing an idea: “Time flies!” “Money doesn’t grow on trees.” “He’s full of hot air.” “You can count on me.” It’s often the first phrase that comes to mind and you can be pretty sure that everyone knows what you mean.
For example, here’s a description of a workday that’s filled with clichés.
- I guess I got up on the wrong side of the bed this morning. Nothing seemed to go right. I took the bus to work; it was so crowded people were packed like sardines. I was late getting to the office and the boss was hopping mad. The day seemed to drag on and on. I thought six o’clock would never come!
While this paragraph gives you an idea of what the speaker’s day was like, it doesn’t make you feel the boredom and frustration. Familiar phrases such as “packed like sardines,” “hopping mad” and “seemed to drag on and on” have been used so many times they’ve lost their emotional impact. Listeners no longer picture the images or notice the comparisons.
Give your clichés new life.
1. Use a fresh or unexpected comparison: Comparisons are a great way to add energy to a description. There was a time when “packed like sardines” was vivid, fresh, and funny. Listeners really pictured it when they heard it and it made them react. Eventually, so many people liked it and used it that the idea became stale and listeners stopped reacting. Continue reading “Great Song Lyrics: Using Clichés”
by Robin Frederick
Most of us know how to rework a song lyric to make it stronger – add images, action words, tighten the focus, etc. – but melodies are often left out of the rewriting process. Many times, the first melody that pops out is the one we keep just because we don’t know how to make it better.
But what happens when your melodies all start to sound the same, or a music publisher tells you your melody sounds generic or dated? How do you fix those problems? Here are a few tips that will help you reshape and update your melodies. Experiment with these ideas; play around with them. If you don’t like the new melody you come up with, you can always go back to what you had.
1. Break up a series of similar lines into different lengths. If you have a melody with a lot of lines that are the same length, your song might might sound monotonous or unstructured to listeners. Rewrite your chorus or verse melody to increase the contrast between sections. Try breaking up a long line into two shorter phrases or run two phrases together by adding extra notes and words. Continue reading “5 Ways to Rewrite a Melody”
by Robin Frederick
Q: I have one big problem and I’m wondering if you can help. I have written over 160 songs. My words, melody, and my voice all seem to sound the same. What am I doing wrong?
A: If you have a “signature sound” – your songs all have a recognizable style and sound – there’s nothing necessarily wrong with that. To my ears, many of Jackson Browne’s songs sound very similar in terms of music and vocals, and he’s certainly successful. He relies on powerful lyrics to tell unique stories filled with emotion and character. Vocals and music are secondary, while the lyrics hold the listener’s attention.
So, the real question is, do listeners respond to your songs and your sound the way you want them to? If you feel you’re not reaching them, then it’s a matter of upping your songwriting skills in one or more areas. Continue reading “Do Your Songs All Sound the Same?”
Picture your songwriting career as a car. Just for fun, let’s say it’s a Ferrari. It might not feel like one right now but that’s because it’s not going anywhere very fast.
It could be that your car is driving in circles, starting and stopping, or stuck in neutral. Maybe the driver is asleep at the wheel or doesn’t know how to get where they’re going. Wouldn’t it be better if the driver woke up, checked the GPS, took hold of the wheel, and harnessed the power of that amazing engine to get to a real destination?
You are the car’s driver. The engine that powers this car is your Energy, Inspiration, Desire, and Excitement. There’s plenty of potential there but unless the you have a real idea where you’re going and how to get there, the car can’t take you there on its own.
A successful journey starts with a clear destination in mind. Do you want to…
- Have a career as a recording artist?
- Write songs for other people to sing?
- Write songs for film and TV?
- Be a songwriter-producer?
- Make money with your songs or write for friends, family, or your community?
Maybe you want to do all of these. Destinations can change, of course, but it’s a good idea to start your trip with one clearly in mind. => Write down a destination you want to reach. If you can’t decide on just one, pick the one you want to go to first, then list the others.
The road starts at your own front door. If you wait for someone to come along and pave a road just for you, it’ll never happen. You have to make your own road. At the end of this post, I’ve included four ideas to get you started.
Continue reading “Your Songwriting Career: Are YOU In the Driver’s Seat?”