We all want to be more creative, have more songs in the catalog, and feel satisfied that we’re getting things accomplished. It’s just that reality doesn’t always work out that way. More often than not…
- We don’t have any good ideas for new songs.
- We’re not sure what kinds of songs we should be writing and for what market.
- We get stuck working on one song that’s in trouble.
- We’re scared our songs aren’t good enough so we don’t finish them.
We all know that good quality has to be maintained, but I bet you could write more songs and keep the quality at the level you want or even improve it. Here are a whole bunch of ideas for writing FASTER and BETTER.
STUDY SUCCESSFUL SONGS
This is the quickest way to solve a lot of the problems I just listed. Spend at least one to two hours per week listening to songs on the music charts, or songs used in Film & TV. Of course, you won’t like everything you hear. You may have to dig a while before you uncover a song you want to learn from. But it’s worth it and it’s an essential part of the job of songwriting.
Too often we think of our songwriting career as ONLY the act of songwriting, but there’s so much more. Laying the groundwork for new songs, learning how others creatively use song craft, getting inspired, feeling like you could beat those songs – all of these are ways you can up your game. Get your ears used to hearing what’s successful out there and your songwriting will improve.
READ THIS: Here’s an article on my website with a list of resources where you can find successful artists and bands in a range of styles to listen to.
Embed current songs to give yourself an instant feel for the style
When you find a song you like, get a copy of the lyrics. (you can find them online or take them down by ear.) Practice singing along with the track until it’s comfortable for you. This may not be as easy as it sounds. Many current singer-songwriter songs have complex melodies and phrasing. Just learn it one section at a time. If the song isn’t in your vocal range, talk-sing along with it until you get a feel for the rhythm of the melody. These days, the rhythm of the notes is as important as note pitches. Continue reading “Faster & Better: Pick Up Your Songwriting Speed”
If you’re an artist or band making an Indie CD or EP, or a songwriter recording a master to pitch to film and TV, there’s a good chance you’re thinking about hiring that magical, mystical creature called “The Music Producer.”
So… how does that work? What does a music producer do? How do you know if you’ve found the right one? Where do you find one? Let’s begin with the most basic question and go from there.
What do you want from a producer?
Start by asking what it is you want a producer to do for you. There’s probably a range of things. Among them, maybe you want a producer to…
- Help you define your style and find your genre
- Make your song sound like a hit
- Co-write a hit song with you
- Advise you on the music business
- Walk your song into a record label, publisher, or music supervisor when it’s done
Is this realistic? Is there any producer who can really do these things for you? Probably not, at least not now. A producer can add to your effort but cannot replace a solid foundation, laid down by you, before you ever start looking. Without that foundation, there’s no way to know what kind of producer you’re looking for.
Lay your foundation
There are several things you should do before you start the hunt for a producer. Unfortunately, too often we hope that someone else will do them for us. But these are a crucial part of your job as a songwriter or artist.
➤ 1. Know your market and audience
Who will you be playing these songs for? Will you be pitching them to a music publisher for established artists? Pitching to film and TV? To a label as an artist? Are you building up your fan base on YouTube? Selling this CD or EP at live gigs?
Of course, you could be doing all of these, but one or two will be more important than the rest. Think about that audience and what appeals to them right now. Make a list of artists or bands that are successful in those markets. Continue reading “Music Producers: What They Do and How to Find One”
Have you ever noticed how some people can describe a simple, everyday event and make it sound hilarious or tragic or just plain interesting, while another person can tell the same story and have you snoring with boredom in an instant?
If the language you use to tell a story is vivid and fresh even a familiar experience or idea can come to life, but if you’re talking in overused, predictable phrases – in other words, if you’re using clichés – the most exciting story can become dull. It’s all in the words you choose.
People often speak in clichés.
A cliché is a phrase that’s been used so often it has become a universal way of expressing an idea: “Time flies!” “Money doesn’t grow on trees.” “He’s full of hot air.” “You can count on me.” It’s often the first phrase that comes to mind and you can be pretty sure that everyone knows what you mean.
For example, here’s a description of a workday that’s filled with clichés.
- I guess I got up on the wrong side of the bed this morning. Nothing seemed to go right. I took the bus to work; it was so crowded people were packed like sardines. I was late getting to the office and the boss was hopping mad. The day seemed to drag on and on. I thought six o’clock would never come!
While this paragraph gives you an idea of what the speaker’s day was like, it doesn’t make you feel the boredom and frustration. Familiar phrases such as “packed like sardines,” “hopping mad” and “seemed to drag on and on” have been used so many times they’ve lost their emotional impact. Listeners no longer picture the images or notice the comparisons.
Give your clichés new life.
1. Use a fresh or unexpected comparison: Comparisons are a great way to add energy to a description. There was a time when “packed like sardines” was vivid, fresh, and funny. Listeners really pictured it when they heard it and it made them react. Eventually, so many people liked it and used it that the idea became stale and listeners stopped reacting. Continue reading “Great Song Lyrics: Using Clichés”
by Robin Frederick
Most of us know how to rework a song lyric to make it stronger – add images, action words, tighten the focus, etc. – but melodies are often left out of the rewriting process. Many times, the first melody that pops out is the one we keep just because we don’t know how to make it better.
But what happens when your melodies all start to sound the same, or a music publisher tells you your melody sounds generic or dated? How do you fix those problems? Here are a few tips that will help you reshape and update your melodies. Experiment with these ideas; play around with them. If you don’t like the new melody you come up with, you can always go back to what you had.
1. Break up a series of similar lines into different lengths. If you have a melody with a lot of lines that are the same length, your song might might sound monotonous or unstructured to listeners. Rewrite your chorus or verse melody to increase the contrast between sections. Try breaking up a long line into two shorter phrases or run two phrases together by adding extra notes and words. Continue reading “5 Ways to Rewrite a Melody”