365 Sparks: The Songs of Daveit Ferris

Daveit Ferris

Songwriter Daveit Ferris has taken on the challenge of writing, performing, and recording a song a day for a year. He calls his project 365 Sparks. While he’s not the only brave or crazy artist to undertake the Everest of songwriting, he’s the best and most consistently good I’ve ever come across. Every song I’ve heard has its own quirky, emotional, fun, dark, sweet, thoughtful, or just-plain-catchy appeal.

I’ve had to write fast in my life – I once had a  three-year gig that required me to write three to four songs a week for a TV series. But I got paid for it and I didn’t have to perform it and record it myself, so I feel like a loafer compared to this guy.  In any case, I can’t help asking: How does anyone do this? WHY does anyone do this? And what happens after the first 100 or so days?

Instead of just wondering, I decided to ask. And he answered. How he found the time to answer, I don’t know. He’s got songs to write. In case you want to listen while you read, he posts his songs on Soundcloud.

What did you set out to do with your 365 Sparks project?

Daveit Ferris: My goal with 365 Sparks was to try and do something extraordinary that would truly test my skills as a songwriter, musician and producer; in that order. The project itself was inspired by a near-death experience that I went through in October 2013 that made me realise I could have left this earth with hard drives full of hundreds of half-finished projects (songs, poetry books, albums, novel ideas, scripts etc.). I decided on that hospital bed that my next project was going to be A) grand and B) completed.

When Do YOU Write Songs?

I’m always curious about how other songwriters approach their craft. Maybe they’ve got some clever tricks I could use. Or maybe I’d just like to be reassured that we all do things basically the same way, that I’m not out on some weird, lonely trail all by myself.

So a while ago, I started asking other songwriters the question: “When do you write songs?” I got a wide range of answers—some expected, some not.

The “happy accident” approach

The largest number of songwriters said something like “I write when I feel inspired.” No surprise there. When an idea hits you that’s obviously a good time to write.

When a lyric or melody line suddenly comes to you, get it down right away. If you’re not near your keyboard or guitar, record a vocal version of your idea on your smartphone. Rough out a verse and chorus, filling in the lines you don’t have yet with nonsense syllables.

If there’s a tempo or groove that comes with it, clap or count it out on your recording. The more you can grab at the moment of inspiration the better off you’ll be.

The “Do it when I can…” style

Many songwriters said they try to write at least one day per week. Pro songwriters write more often than that, usually every day. Even if you don’t have gobs of time to spend on your songs, you can do something related to your songwriting every couple of days. Here are some ideas…

The Eight Note Dilemma

A songwriter recently asked me: Is it copyright infringement if I use eight notes of a hit song melody?

ANSWER: When you think about it, there are only 12 notes in an octave. And only a few of those sound good in a melody. So, really, any eight notes are going to be in plenty of songs. The trick is to make sure your eight notes don’t remind listeners of a song that isn’t yours.  If they do, that’s called “substantial similarity.”

Substantial similarity is one of the tests for copyright infringement. If your eight notes are in the same order and have the same melodic rhythm as a hit song then there’s likely to be too much similarity. And that’s not good.

The truth is there’s NO hard and fast rule that determines how many notes of someone else’s melody you can use in a song of your own. It may only take two or three notes if they feature a very recognizable interval jump or rhythm. But here are some ideas that can help you out. 

Robin’s Interview in Beat Magazine

Q: What makes a great song great?
A: For me, a great song is one that moves listeners emotionally. One that makes them understand something more deeply or see something in a new way. In some ways, a great song actually changes the listener.

Q: What’s your personal ingredient list for what you consider a good song?
A: A good song is one that expresses what the songwriter feels. If, every time you play your song, you say, “Yes, that’s what I felt. That’s what I wanted to say.” Then it’s a good song. A great song is one that communicates your message to listeners and makes them feel what you felt when you wrote it. 

How Do You Write Lyrics to a Melody?

Q: I have a melody and I want to put lyrics to it but I’m not sure how to do that. Is there a trick to this?

A: There are lots of ways to write songs. Some people write the melody or chords first, then add lyrics. Paul McCartney famously wrote the melody and chords to “Yesterday” before he had the lyrics. He went around singing the phrase “scrambled eggs” pr “ham and eggs” (depending on who’s telling the story) until he came up with the lyric “yesterday.”